That the sexagesimal calendar had no zero
was reason enough for me to grouse
four thousand years too late, in September,
in
with ancient
except in the past tense cast upon
the silt-sewn shores of the
and not the two distant rivers
I swore at night we could hear
running away when we were through
with each other’s skin. Little
everything there was called:
the place that took my film,
the cabs I had to dodge in the dark
carrying home some drunken
boy with his freight of vomit in tow—
Little
and our mascot was the Saluki,
a long-haired Egyptian hunting dog
trotted around the arenas
of our ineptitudes. Not until one Sunday
morning when we drove west
beneath mottled, Midwestern dawn
towards
the
than we could see with fog twill
rising from the water’s passive face,
not until I thought backwards
to the
in coming there, in love with the imprecision
of words, did I make sense
of that little name, that borrowed
history, that endlessness slowly passing by.
3 comments:
I like the geographical plunges here as the unifying force.
You know, this reminds me of that song, Ode to Billy Joe.
Nothin' ever comes to no good up on Choctaw Ridge.
I heard the song recently and marveled at its narrative power, and at how poetic the place names were.
Nice 'un, Paul.
(I couldn't figure out what the hell Salukis were doing in your poem until I googled Carbondale. HOME of the Salukis??? I had no idea.)
Why, thank ya...
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