More rain. But no more vaguely disturbing rust gunk streaming from the ceiling. Thank you, men who climbed atop the roof and fixed whatever was wrong. Even the guy with his fly unzipped. Yes, thank you all.
I don't know if you read, but there has been a long dialog about your work in terms of disability rights on the Wom-po list-serv. It would be great if you weighed in on it. I am still curious as to why you have been so hesitant to write about or confront the disabilities rights movement. The troubles you face effect everyone who is disabled. I know that 'allowing' Ashbery to call you an invalid - and the reviewer mary karr uses the word too - seems like a personal decision. But it is not. As a public figure and fine poet who refuses to address these issues, you make it difficult for us who want DO NOT want to be called invalid. It makes able-bodied reviewers, like Karr, and readers continue to think that is okay to refer to us as less than.
Is there something about the movement that makes you uncomfortable?
Paul Guest is the author of four volumes of poetry and a memoir. His debut, The Resurrection of the Body and the Ruin of the World, was awarded the 2002 New Issues Poetry Prize. His second collection, Notes for My Body Double, was awarded the 2006 Prairie Schooner Book Prize. His third collection, My Index of Slightly Horrifying Knowledge, was published by Ecco Press/HarperCollins in 2008. His fourth collection, Because Everything Is Terrible, was published by Diode Editions. His poems have appeared in Harper's, The Paris Review, Poetry, Tin House, The Kenyon Review, and elsewhere. His memoir, One More Theory About Happiness, was published by Ecco in May 2010 and selected for the Barnes & Noble Discover Great New Writers Program. The recipient of a 2011 Guggenheim Fellowship and a 2007 Whiting Writers' Award, Guest lives in Charlottesville, Virginia.
1 comment:
Hi Paul,
I don't know if you read, but there has been a long dialog about your work in terms of disability rights on the Wom-po list-serv. It would be great if you weighed in on it. I am still curious as to why you have been so hesitant to write about or confront the disabilities rights movement. The troubles you face effect everyone who is disabled. I know that 'allowing' Ashbery to call you an invalid - and the reviewer mary karr uses the word too - seems like a personal decision. But it is not. As a public figure and fine poet who refuses to address these issues, you make it difficult for us who want DO NOT want to be called invalid. It makes able-bodied reviewers, like Karr, and readers continue to think that is okay to refer to us as less than.
Is there something about the movement that makes you uncomfortable?
Post a Comment